The Catalogue Raisonné
Catalogue Raisonné: [Fr., = carefully studied or methodical catalogue.] A descriptive catalogue arranged according to subjects, or branches of subjects; hence gen. or loosely, a classified or methodical list. (OED)
The Catalogue Raisonné Scholars Association was founded in 1994 to serve the interests of scholars and others engaged in the catalogue raisonné process. Our members typically research a single artist’s body of work to establish a reliable list of authentic works, their chronology, and history (usually including provenance, bibliographic, and exhibition histories). Our membership also includes those who are not actively engaged in such a project but who have a keen interest in this type of work such as patrons, collectors, art dealers, attorneys, and software designers.
The organization publishes a newsletter, the CRSA Forum, and maintains a list serve for discussion of relevant issues. As an affiliated society of the College Art Association, the CRSA holds its annual meeting and program at the CAA Annual Conference. In addition, it organizes periodic interim conferences and panels for members on relevant topics in New York.
Issues discussed in the various CRSA forums include both theoretical and practical challenges confronting the catalogue raisonné scholar, such as authenticity and its complexities, primary research methods and the establishment of reliable factual information, adapting traditional cataloguing methods to “new” art media such as photography and unusual contemporary materials, digital and hard copy organization of materials and publication, legal and ethical issues, and funding sources.
2015 College Art Association Conference Panel
Catalogue Raisonné Case Studies:
New Findings, Fresh Insights, and Important Reconsiderations
Time: 02/11/2015, 12:30 PM—2:00 PM
Location: Hilton New York, 2nd Floor, Gramercy B (please check conference program for any possible change)
Chair: Susan Cooke, Estate of David Smith
Rewriting the Life and Work of the Flemish Engraver Nicolaes de Bruyn (1571–1656)
Lorena Baines, National Gallery of Art
Considering Place: A Case Study for Expanding the Horizons of the Catalogue Raisonné
Erin Coe, Boston University
Letters and Watercolors from behind Barbed Wire: A Further Perspective on Hans Reichel’s Artistic Oeuvre
Deborah Browning-Schimek, New York University
Titles, Dates, and the Making of Art History: Primary Sources in Hofmann Scholarship
Juliana Kreinik, Peter Campus Catalogue Raisonné
According to the Artist: Compiling the Jack Bush Catalogue Raisonné of Paintings
Sarah Stanners, University of Toronto
* The CRSA panel is open to all CRSA members; registration for the CAA conference is not required.
Katy Rogers, President
Dedalus Foundation, Judd Foundation
Susan Cooke, Director of Programming
The Estate of David Smith
Shaina D. Larrivee, Director of Publications
The Isamu Noguchi Foundation & Garden Museum
Carl Schmitz, Director of Communications
The Richard Diebenkorn Foundation
Suzi Villiger, Director of Membership
Hans Hofmann Catalogue Raisonné Project
Interested in joining the CRSA? Download our membership form.